TYPORAMA
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PRAISE FOR NO NAMES TO BE GIVEN:
“This book is a relevant read and one that will keep readers guessing page after page until the very end.” — The US Review of Books
“An insightful and sympathetic view offered into the lives of those who were adopted and those who adopted them.” — Pam Johnson, author of “Justice for Ella”
“A novel worthy of a Lifetime movie adaptation.” — Jess Hagemann, author of “Headcheese”
“Readers can expect deep knowledge of the world the characters inhabit.” — Sara Kocek, author of Promise Me Something
“I found myself thinking about Becca, Sandy, and Faith frequently as I went about my day — I was always excited to sit down and find out what happened next.” — Sarah Welch, author of “Austin Brown Dogs: The Shelter Dogs Who Rescue Us”
“Today’s young women, especially, need to absorb ‘No Names to Be Given.’ ”— Midwest Book Review, D. Donovan, senior reviewer
“How could such a tragic choice be an everyday kindness from one woman to another?”— Story Circle Book Reviews
“The characters in ‘No Names to Be Given’ step off the pages of the book and into your heart. This book is a fist full of emotions rolled up into an unforgettable journey. Hold onto your hat as Julia Brewer Daily takes you on a ride that is truly remarkable.” — Diane Williams, author of “The Life and Legacy of B.B. King: A Mississippi Blues Icon”
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ABOUT NO NAMES TO BE GIVEN:
The widely anticipated and award-winning debut is a glimpse into the lives of women forced by society to gift their newborns to strangers. Although this novel is a fictional account, it mirrors many of the adoption stories of its era.
When three young unwed women meet at a maternity home hospital in New Orleans in 1966, they are expected to relinquish their babies and return home as if nothing transpired.
Twenty-five years later, they are brought back together by blackmail and their secrets threatened with exposure — all the way to the White House.
Told from the women’s perspectives in alternating chapters, readers will be mesmerized by the societal pressures on women in the 1960s who found themselves pregnant without marriage.
How that inconceivable act changed them forever is the story of “No Names To Be Given,” a novel with southern voices, love exploited, heartbreak and blackmail.
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ABOUT THE AUTHOR:
Julia Brewer Daily is a Texan with a Southern accent. She holds a B.S. in English and a M.S. degree in Education from the University of Southern Mississippi.
She has been a communications adjunct professor at Belhaven University in Jackson, Mississippi, and public relations director of the Mississippi Department of Education and Millsaps College, a liberal arts college in Jackson.
She was the founding director of the Greater Belhaven Market, a producers’ only market in a historic neighborhood in Jackson, and even shadowed Martha Stewart.
As the Executive Director of the Craftsmen’s Guild of Mississippi (300 artisans from 19 states) which operates the Mississippi Craft Center, she wrote their stories to introduce them to the public.
She is a member of the Writers’ League of Texas, the Women Fiction Writers’ Association, the San Antonio Writers’ Guild and the Women’s National Book Association.
Daily is an adopted child from a maternity home hospital in New Orleans.
She searched and found her birth mother and through a DNA test, her birth father’s family, as well.
A lifelong Southerner, she now resides on a ranch in Fredericksburg, Texas, with her husband, Emmerson, and Labrador retrievers, Memphis Belle and Texas Star. For more on Julia, visit her website juliadaily.com.
FOLLOW JULIA BREWER DAILY ON SOCIAL MEDIA:
Facebook: @JuliaDailyAuthor
Twitter: @JBDailyAuthor
Instagram: @JuliaDailyAuthor
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AN INTERVIEW WITH JULIA BREWER DAILY:
1. What are you writing next?
My second novel launches Nov. 1, 2022. It is a modern western with an ancient secret. I began a podcast called Authors Over 50 to celebrate those of us who wrote our first book after the age of 50. It has become quite popular among the crowd writing in Life’s Sweetest Third!
2. Your second book, “The Fifth Daughter of Thorn Ranch,” is a little different from your first book. What inspired the story?
When we moved to Texas, I became enamored with Texas ranches, especially those held in the same family for multiple generations. We visited Mesa Verde National Park in Colorado, and when I saw the magnificent ruins left there by ancient people, I had the idea for my second novel. If you owned a million acres, you would not know all sections of the property, so my book is about the heiress to the largest ranch in Texas who finds an ancient people living on her property.
3. What kind of research did you do to help write your recent book?
Visiting the ruins in Colorado helped, and I had sensitivity readers guide me about indigenous people, their customs and how to avoid stereotypes. I toured the largest ranch in Texas, as well, to get a feel for the south Texas landscape and the same family who has owned it since the 1800s.
4. You have a uniquely personal connection to the story in “No Names to Be Given.” Can you explain the inspiration behind the book?
I am an adopted child from a maternity home hospital in New Orleans. This debut novel has the same memoir thread running through it with three protagonists who meet at a maternity home in New Orleans to relinquish their babies for adoption and return home as if nothing transpired. Twenty-five years later, they are brought back together with a blackmailer threatening to expose their secrets — all the way to the White House. Their adopted children are featured in the novel, as well, and one of them mirrors my own life. DNA results are used in “No Names to Be Given” to find an adopted child, just as I found my birth father’s family through DNA results. Although there was no blackmail in my own life, many birth mothers I researched were threatened with their secrets of becoming pregnant before marriage and giving their children for adoption.
5. Though “No Names to Be Given” is a novel, the reality of maternity homes in the early to mid-1900s is well-documented. How did you balance the fact from the fiction?
Societal mores in the 1960s forced unwed pregnant women to relinquish their babies for adoption. Adoption is a two-sided coin — heartbreak and loss for the birth mother, joy, and elation for the adoptive parent. It is a subject that has not been fully explored in books and film. One hundred million people in the U.S. have adoption in their immediate families. Although “No Names to Be Given” is a fictional account, it is based on many true stories and sparks conversations about adoptive parents, birth mothers, adopted children and the life-long impact on all three groups.
6. The main characters in “No Names to Be Given” – Becca, Faith and Sandy – are complex and incredibly different. How did you go about developing each woman so they were unique yet still harmonious as a trio?
I wanted readers to recognize that women from all soci0-economic backgrounds experienced the same social and family pressures to relinquish their babies for adoption. So, in that aspect they were very much alike. Each of the women in “No Names to Be Given” transform from being fearful and controlled to being strong women who survived a traumatic experience and moved past it. They had false beliefs that they were not worthy and would not be able to handle the scars and wounds in their psyches, but they developed into impressive women, in spite of the trauma.
7. While there is less stigma around unwed mothers today, there’s still a large focus on women’s reproductive rights. What are some differences you see today? Some similarities?
Because the book is set in the 1960s during a time when pregnant women were expected to give up children out of wedlock, I think young women today will learn about a time of which they know little. Perhaps the lesson for us is to learn from history and not repeat our mistakes, mainly the shame inflicted on young women who were forced to give up their babies. The struggles continue today with laws instructing women what they can and must do with their own bodies. Interestingly, we do not see those same levels of requirements for men.
8. What do you hope readers gain from “No Names to Be Given”?
Forty years ago, when I had the idea for this book, there were few stories about adoption. Today, that is no longer the case. However, I lived the adoption story and can give glimpses into all aspects, from the birth mothers, adopted children and adoptive parents’ points of view. It is a story that sparks a discussion about the complex topic of adoption and the ramifications that existed then and today.
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