Sunday, August 24, 2025

Showcase of What Lies We Keep by Janet Roberts and TWO (2) US-ONLY winners of a $25 Bookshop.org Gift Card

What Lies We Keep by Janet Roberts Banner

WHAT LIES WE KEEP

by Janet Roberts

August 11 - September 5, 2025 

Virtual Book Tour

Synopsis:

Cyber security expert, Ted McCord, has been fired. He risked everything in a game far beyond his control.

Charlotte McCord never understood her husband’s addiction to the trappings of corporate life - the titles, the money, the promise of visible success he sees as opposite his Montana upbringing. Ted uncovered an embezzlement scheme, did something unthinkable to gain a promotion, and hid his actions from his wife. Then the guilty co-conspirators turned the tables on him. Charlotte leaves, taking their daughter. As Ted works to clear his name, Charlotte leans on her friends. But one friend’s secret shocks Charlotte, upending everything she believes about Ted. Unsure who to trust, she jettisons from hurt and anger to the tempting promise of solace in the arms of a handsome River Rescue officer.

What Lies We Keep by Janet Roberts

Stretching from Pittsburgh’s urban skyline to the beautiful ranch country of Montana, What Lies We Keep is a moving story of corporate ambition that shakes the very foundations of a marriage and asks: What happens when we embrace the life we think we should have rather than the life we have?

Praise for What Lies We Keep:

"What Lies We Keep will captivate fans of writers like Jennifer Weiner, that best-selling expert at writing about family secrets and the ties that bind, but it’s Janet Roberts’ brilliant and fresh prose, and her big-hearted, messy, real characters that set this work apart. There is no easy ending here, and I’m so grateful for that."
~ Lori Jakiela, author of They Write Your Name on a Grain of Rice

"A moving narrative that shines a spotlight on life’s choices. This one will leave you wondering if the grass is really green on the other side."
~ Jen Craven, author of The Baby Left Behind

"In her compelling novel about the devastating impact of lies and the search for a fulfilling life, Janet Roberts balances a thrilling plot of corporate greed and corruption with credible, richly-drawn characters. Through sharp dialogue, cinematic descriptions, and even a covert FBI operation, this novel explores the relationship between a husband and wife in the aftermath of one well-intentioned but misguided decision. What Lies We Keep raises powerful questions: Are lies justified if they are made to protect the ones we love? Can success be defined by more than social status and salary? I devoured this creative, twisty story with its flawed but sympathetic characters."
~ Jill Caugherty, author of The View From Half Dome and Waltz in Swing Time

"Janet Roberts’ What Lies We Keep examines what happens when we keep things from those we love and how that can lead to a tangled knot that can be difficult to unravel. Instead of protecting his loved ones, Ted’s lies lead to hurt and heartbreak—and possible criminal charges. Charlotte and Ted must work through both his mistakes and the fractures in their marriage. A wonderful book with in-depth and flawed characters as well as a how-will-they-get-out-of-that plot."
~ Pamela Stockwell, author of A Boundless Place and The Tender Silver Stars

"A thought-provoking dissection of a once-stable marriage and the fault lines that erupt when one member crosses an ethical line, resulting in repercussions that threaten the very essence of the family unit. Moving between the gritty streets of Pittsburgh and the wide-open ranches of Montana, What Lies We Keep is a realistic, moving novel of complex relationships, the corrosive power of secrets, and the challenges a couple must face when the things they hold dear are the very things that may tear them apart."
~ Maggie Smith, award-winning author of Truth and Other Lies

Book Details:

Genre: Contemporary Fiction, Domestic Suspense, Cybersecurity
Published by: Porch Swing Publishing, LLC
Publication Date: August 2, 2025
Number of Pages: 338
Book Links: Amazon | Audible | Barnes & Noble | BookShop.org | Goodreads | BookBub | Google Books

Read an excerpt:

Chapter 1

The digital screens on the kitchen appliances screamed 5:00 a.m. He knew he should crawl back into bed. It had been like this for six months now, ever since the promotion at work. Waking up with sweat across his brow and his back just before the reoccurring dream headed toward a disastrous end, as if his mind were a savvy film editor cutting out an ending he hadn’t the fortitude to handle. Each time, he carefully felt the area around his body, without waking Charlotte, to make sure it wasn’t so bad that the sheets were damp, and then walked as quietly as possible to the open area of their apartment housing the kitchen and small living room. No amount of effort to return to sleep worked these days. Nagging concerns that it was more premonition than dream rolled up in him with all the discomfort of a chronic stomachache. Logging into his work laptop settled his fears. Focusing on a stack of emails—a pile of problems to be solved and tasks to be completed—reassured him that he was necessary, valuable, not someone they would discard like an old rag no matter what he’d done. In his mind, there had been no way but the path he’d chosen. But words didn’t seem to alleviate the mild trembling in his hands.

Lies were like that. They felt justified as a route to sparing others hurt, a path to keeping things balanced, a necessary evil. Lies spawned subsequent lies until the entangled mess required putting one’s ethics on the shelf now and then to simply manage life. This was the well-worn mantra Ted told himself in the wee hours of the morning to justify how he’d moved up and into a manager role. They needed the money. Jesse needed the money. He’d put everything he held sacred on the line. He couldn’t allow the twin detractors of guilt and regret to weaken his resolve. He’d done what he needed to do for the people he loved most.

It was quiet at this hour, streetlights reflecting against windshields sprinkled with soft, multicolored leaves and a touch of dew that wasn’t quite frost. Late September always hinted at colder weather just around the corner. A few more hours and the neighborhood would awaken. People brushing off the comfort of blankets and sleep would appear below to warm up vehicles parked bumper to bumper in urban uniformity along both sides of East End Avenue. Others would hurry to the bus stop to catch the 61A. The world around him stepping into the day. Ted’s itch to join their ranks felt as natural as breathing. It was all he’d left his life in Montana to pursue.

Similar to the residences of most of their neighbors, the roomy but older apartment harkened back to another time. A solid brick building whose faded glory showed in the slight dip and sag of the front steps, old woodwork in need of refinishing, plumbing with ancient cast-iron pipes, and registers emitting solid boiler-powered heat. A faded, elderly lady in need of a facelift with all the architectural character Charlotte loved. Ted wished they could buy a home in the neighborhood, but he’d told Charlotte he lusted after the big, refurbished homes near Frick Park or the luxury condos on Mt. Washington. Another lie placed carefully to postpone a little bit longer her aching desire to own a home, just until he could restore the funds missing from his account at the company’s credit union, which he’d drained. Thankfully, the account was in his name only. A few more months and he’d have replaced at least three quarters of what he’d felt forced to remove. His promotion to manager was making that possible.

“Tell her the truth about the ranch,” Jesse had advised.

“She’ll want to move back to Montana,” Ted had said. “You know she has this fantasy about living there.”

“Would that be so bad?” Jesse replied.

Just thinking about the endless hours in the saddle herding cattle, sore muscles from the physical labor, then falling into bed exhausted, worn out, only to do it again the next day made the muscles tighten in Ted’s neck and shoulders. He felt a slight pain and, looking down, realized he’d clenched his hands at the thought of returning, to the point where tension ran all the way up his arm and into his shoulders. Jesse viewed ranch life as freedom from the chains of a rigid, corporate structure. Freedom to work for himself and to answer to himself only, to own his own destiny. Ted saw it as a beautiful trap, the land and mountains casting stunning views on a life where progress, as Ted defined it, was limited. He saw freedom in a place where his computer skills and cyber knowledge prepared an even path upward to clearly definable roles that would fund a nicer, easier life for his family. He and Jesse had had discussions about this, a few of which were heated, so they’d agreed to disagree and move on. Charlotte alternated between agreeing with him and then with Jesse, her chronic indecision making Ted feel he was required to make the tough decisions.

“It’s not what I want. And it’s not really what she would want once she got a good taste of it,” he told Jesse, hoping to shut down the topic.

“You never know. It could turn out to be really great for both of you, and I’d love for you to live closer. You could work in Bozeman, and I’d run the ranch.”

“Yeah, we miss you too, but no, Jesse, I’m not leaving the opportunities here for some smaller place with no career path.”

“It’s your call, brother.” Jesse sounded more resigned than disapproving, tired of what was a conversation they’d had before.

“Dad should have left the ranch to you. We both know that,” Ted said. “And even if he had, I’d still be helping you when times got tough.”

“He loved you more,” Jesse answered. “We both know that too.”

Jesse, his younger brother who loved their family ranch, who lived a straight and honest life, who loved but rarely understood Ted. He wished he could be fully honest with Jesse. All this hiding secrets from people he loved, covering up old lies, creating new ones. Only a few more years and he could sign that ranch over to Jesse, shake the albatross from his shoulders along with the memories of the last words between him and his father, and move on. Another six months and he could pretend he’d settle for a house in their neighborhood and hire a realtor.

“Hey, there . . . couldn’t sleep again?” He didn’t realize Charlotte was in the living room until she slid down next to him on the couch, resting her head on his shoulder as his fingers tapped the laptop keys. “How long have you been out here?”

“About an hour, I guess.”

“You work too much.”

She looked beautiful—hair tousled, eyes drowsy as they fought the need for a little more sleep. He knew she was weary of him working long hours.

“I tried to go back to sleep and I couldn’t, so I figured I’d get some work done,” Ted said as he carefully minimized the screen and slid his hand over the USB flash drive he’d inserted earlier.

“It’s not healthy, Ted,” she replied. “We need to get you a sleeping pill or some solution to this insomnia. I’m going to ask Dr. Collins tonight.”

“The therapist can write prescriptions?” Ted fought the urge to roll his eyes, as he did, privately, about most things related to Dr. Collins. It was his first experience with a marriage counselor and, he hoped, his last. He’d agreed to go because he loved Charlotte and she thought this was the key to some sort of marital happiness. He thought otherwise but kept his comments to himself.

“She’s a licensed psychiatrist. She can prescribe medication.”

“I’d love to sleep a good eight hours,” Ted said. Dr. Collins might prove to be good for something after all, even if it came in the form of a little white pill.

Seven years of marriage and several months of marriage counseling had taught him a few things, such as when to keep his mouth shut and when to agree.

“Did you work on your list . . . for tonight?” Charlotte tapped the cover of Ted’s iPad, closed and lying on the coffee table.

“Done. Insomnia was good for something, I guess.” The marriage counselor had asked them to create a list of what they loved about each other and what drove them to the problems they’d been facing. He’d thought about objecting to what seemed a silly request that solved very little, but Charlotte had leaned forward, excited, attaching herself to the counselor’s words. “I had zero problems listing what I love about you.”

Ted smiled at her as, in a flash of memory, he could see her auburn hair lifting on the breeze while they rode horses across the land and into the mountains near his family’s ranch. His sole thought had been to wonder if she would agree to marry him as he nervously fingered the ring box in his jacket pocket. He’d envisioned a life for them with a steady income they could count on, medical benefits, a modest home of their own, children. The opposite, in his mind, of the insecurities of ranch life. They’d been halfway to that dream when his parents died in an automobile accident, and he discovered his father actually could reach back from the grave to maintain a level of control over him. Their deaths had created the uphill battle he found himself trudging along now.

“Can I see it? Your list?” Charlotte asked, reaching for his iPad.

“No, we’ll do this together, later . . . with the counselor.” Ted grabbed the iPad and popped it into his backpack, removing the USB from his work laptop at the same time. He’d need to actually create a list, quickly, during his lunch hour. “How about your list? Done?” He was a little nervous about what she might say about him tonight.

“Hmmm . . . sort of.” Charlotte stood, heading for the kitchen. He could hear her opening cupboards, pulling items to make coffee.

“I’d say you don’t trust me, which makes list-making hard, but I know where that will take the conversation.” He purposefully kept his tone light, something practice had made perfect where this topic was concerned, but he still felt an anger that never quite grew a scab and healed.

“I let that whole San Francisco trip go. You know that.” Ted watched her move around the kitchen, her back to him, alert for body language that said otherwise. Maybe arms crossing her body, biceps tightening, chewing on her nails. And then, there it was as she yanked the cabinet door so hard it banged and pulled out one, not two, coffee mugs.

Ted knew she was lying. It ate at her insecurities that he’d gotten drunk on a business trip, woke up fully clothed, his coworker Missy asleep next to him, his mind a blank as to how she’d ended up in his room. The story had trickled out, with various twists, until it reached Charlotte. He’d been explaining ever since that nothing had happened. But who was he to call anyone out on lying these days?

“We were happier in Montana,” Charlotte said. “We were more . . . more . . . I don’t know, centered? Before you took this job, we were different.”

Here we go again. Ted clutched the arm of the couch and closed his eyes, willing himself to keep the inward groan rolling up his chest from escaping through his mouth.

“We were kids then, Charlotte. Everything was easier. We’ll both be thirty years old this year, and I want to move forward, not go back,” Ted answered, hoping his voice sounded steady, calm, the opposite of the turmoil flushing his cheeks. He turned sideways on the couch, watching Charlotte move gracefully around the kitchen. “A ranch is nothing but hard work and very little money. We have a nice life here.”

This was the kind of crap he thought they should hash out in counseling and that, if Dr. Collins was as good as she claimed, their sessions would be less one-sided in favor of Charlotte. But he wasn’t about to drop a bomb in their marriage therapy sessions and start a fight. He’d decided after the first round with the good doctor that her goal was to agree with Charlotte about what key topics they should be covering and he was just along for the ride. Not that the topic of Charlotte’s ideas about living in Montana didn’t come up with the counselor, but it never moved from what Ted viewed as a fantasy lens of “living a simple life” to reality. There he sat with two women who had grown up in the city’s suburbs, their biggest childhood chore involving keeping their bedrooms clean, as the only expert on actual ranch life in the room but deferring to Charlotte’s view to keep things amenable. To Ted, simpler meant poorer. Neither Charlotte nor Dr. Collins had ever had to live that kind of life. What he’d gleaned so far in their five months of therapy was that meeting in college, dating exclusively, marrying quickly following graduation, and having a child two years later had left them unprepared for the hard work of marriage in a way that didn’t appear to affect other couples they knew.

Charlotte ignored him, pulling down cereal for breakfast, bread and peanut butter to make and pack a sandwich for Kelsey’s lunch, and refusing to answer. He supposed she knew it could end up in an argument and she’d rather drop it now, hash it out later. But Ted thought they could save a lot of money on therapy if they could simply talk things through without a mediator and without anger and tears. The last time he suggested this, Charlotte said they would revert to the habits they needed to break rather than chart a new course. He assumed she thought therapy would accomplish some sort of new life for them. He was relatively cynical regarding the outcome she envisioned, but he’d keep showing up and giving it a try. Somewhere within himself he knew it was a half-hearted try, and this, alone, doomed the therapy journey to a less-than-successful outcome. If he could keep his current plan on track, he’d buy a house for his family in less than a year, and that, he believed, would be a much more effective game changer than Dr. Collins.

“You have a full day today?” Ted asked.

“What?” Charlotte paused, brows pulled inward in confusion. The brewing coffee was beginning to smell good.

“You’re making Kelsey a sandwich, so I thought she must be going to the kindergarten after-school program rather than home with you.”

“Oh, right, right . . .” Charlotte nodded, turning back to the kitchen counter. “I’m at the museum until noon, then lunch with Leah, and I’m on a deadline for an art gallery review for the newspaper . . . plus we have counseling later. I’ll pick Kelsey up a little later than usual, and then Shay said he’d babysit.”

Shay, Ted’s colleague at work and best friend since their move to Pittsburgh. Other than Jesse, he’d never had as close a friendship with another man. He valued Shay like a brother. Shay had run interference after the San Francisco debacle, but he’d warned Ted that one more mistake that big and Charlotte would leave.

Ted walked into the kitchen and poured cream into the bottom of a mug, then added the coffee, one of the few habits he’d picked up from his father.

“Can you grab a coffee and sit with me before we go our separate ways?” Ted asked.

Charlotte’s face softened, and she brought her mug—black, no sugar, he knew—with her, sitting down slowly, careful not to spill the hot liquid. He took her hand and squeezed, feeling the current between them he’d felt on their first date, a connection that all the ups and downs in their lives had not yet diminished, even when they chose to ignore it out of anger or disappointment in one another.

“Before my job, we were poor,” Ted said. “We agreed Pittsburgh had better opportunities. You wanted to be near family, but now you rarely make any effort to see them beyond asking if they will babysit Kelsey.”

“You know how difficult my mother can be, Ted,” Charlotte responded. “And be honest . . . you don’t really like my family all that much.”

“I like some of them . . . maybe not your mother,” Ted answered jokingly, hoping to lighten the mood with what was usually their mutual annoyance with Charlotte’s mother. “The ranch should belong to Jesse. He loves Montana. He loves his life. And we can always visit.”

“Should belong?” Charlotte was staring at him now, that questioning look she got when she was working on a new story for the newspaper crossing her face. “Art left the ranch to Jesse because you didn’t want it.”

“Right,” Ted said, quickly covering the slip. “I meant the ranch should always belong to Jesse.”

“Yeah, of course,” Charlotte said.

It saddened Ted to see the wistful expression on his wife’s face. If he kept pushing this conversation, he would open the door to something unpleasant.

“Let’s talk about Montana vs. Pittsburgh with Dr. Collins, okay?” Ted hoped he could find a way to convey that moving to Montana wasn’t necessary. Charlotte and Kelsey did not take a back seat to his work life, as she often claimed. Nothing could be further from the truth. Everything he’d done, everything he was doing, was for the wife and daughter he could not imagine life without and the younger brother he loved deeply. Jesse deserved that ranch, and Charlotte deserved to own rather than rent a home.

Charlotte nodded and gave him a tired half smile.

“Finish up that coffee. I’m going to take a shower,” Ted said, standing and heading toward the hallway leading to the bedrooms and bathroom. He wanted to wash it all away, the sleepless nights, the lies he’d just told, yet again, woven into the fabric of the ancient lies his father had dumped on his shoulders.

“Don’t be late tonight, Ted,” Charlotte called out behind him.

She’d laid down the rules months ago. Go to marriage counseling, or she was taking Kelsey and moving out. He hadn’t missed a session, and he wouldn’t, no matter what the day would bring.

***

Excerpt from What Lies We Keep by Janet Roberts. Copyright 2025 by Janet Roberts. Reproduced with permission from Janet Roberts. All rights reserved.

 

Author Bio:

Janet Roberts

Janet Roberts writes character driven, contemporary fiction set wholly or partially in Western PA, where her roots run deep. Her readers know to expect a female character who awakens to the discovery of her own inner strength while facing adversity. Her award-winning novel What Lies We Keep (2024) combines cybersecurity with domestic suspense. It is the 2024 Winner of the Literary Titan Silver Award, Firebird Book Award, Pencraft Summer Awards for Literary Excellence -Suspense, and TAZ Award - Mystery; 2025 International Impact Book Awards - Contemporary Fiction/Realistic Fiction; and a 2024 Finalist for the American Writing Awards’ Hawthorne Prize, 2024 American Fiction Awards – Best New Fiction, and 2024 American Book Fest Best Book Awards – Best New Fiction. Her poetry has been published in the Pittsburgh Post-Gazette and in San Fedele Press’ Art in the Time of COVID-19. A member of Women’s Fiction Writers Association (WFWA), Pennwriters, and Sisters in Crime, she’s a former global leader in cybersecurity education and awareness with over a decade of experience. She lives in Pittsburgh, PA, where Frick Park is her favorite place for a hike. She loves travel, wandering through bookstores in other countries, reading on her porch swing, and sharing a bottle of wine with friends.

Learn more about Janet Roberts at:

www.BooksByJanetRoberts.com
Amazon Author Profile
Goodreads - @writer12
BookBub - @JanetRoberts
Instagram - @janetroberts77
Threads - @janetroberts77
LinkedIn
Facebook

 

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This Week At Silver's Reviews



I hope you see something that catches your eye.

Saturday, August 23, 2025

The Second Chance Bus Stop by Ally Zetterberg


We meet two women and many quirky characters in this emotional read.

We meet Edith who has Alzheimer's and whose son is her caregiver.  Edith wants to find the love of her life who left her at the bus stop.

Yes, she is at the bus stop every day looking for Sven.  She has been waiting a long time and talks to other people as she sits on the bus stop bench.  Many people think she’s homeless and do things for her.

We also meet Sophia who owns a flower shop and who is trying to find someone to spend time and her life with, but she has a lot of quirky things.  She doesn't like to kiss and doesn’t trust anyone.

She actually meets Edith’s son Blade as he is in Sweden looking for Sven.

These three characters will pull at your heartstrings as you hope for the best for what each is looking for.

Those readers who enjoy Fredrik Backman will enjoy this book.

I do have to say it was a bit confusing, but a good read. 4/5

Thank you to the publisher for a copy of this book.  All opinions are my own.



Friday, August 22, 2025

Spotlight of Through An Open Window by Pamela Terry

PHOTO CREDIT:
TYPORAMA
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THROUGH AN OPEN WINDOW
PAMELA TERRY
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ALL INFORMATION IN THIS POST IS TAKEN FROM THE PUBLISHER'S WEBPAGE. 
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A charming, heartfelt novel about the bonds of family, whether found or foretold, from the author of The Sweet Taste of Muscadines.

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August 19
Penguin Random House
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PRAISE FOR THROUGH AN OPEN WINDOW:

Through an Open Window is a profoundly moving novel of friendship, love, and the unfolding of family secrets that upturn the lives of Margaret and her children, each struggling with loss and the echoes of the hidden past. Entering a Pamela Terry novel is like falling into a mystical world where anything is possible. With exquisite turns of phrase that are as rich as the vivid southern landscape, Pamela Terry creates a luminous tale where the unseen becomes a guiding force, rising to ask: What if everything we believe is not true? And in the answering, Terry gifts us a story as enduring as love itself.”—Patti Callahan Henry, New York Times bestselling author of The Story She Left Behind
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ABOUT THROUGH AN OPEN WINDOW:

In the small Southern town of Wesleyan, Georgia, where the air smells of red clay and sea salt, Margaret Elliot has lived a seemingly charmed life—until the recent loss of her beloved husband.

Since then, Margaret has been seeing visions of her aunt Edith, the indomitable woman who raised her after her parents died when she was a baby.

As these mysterious and undeniable visitations continue, Margaret becomes convinced that Aunt Edith is trying to tell her something important.

As she follows the clues that almost magically present themselves, it becomes clear there is a secret from Margaret’s past waiting to be uncovered.

As Margaret grapples with each new revelation, she also worries about her three grown children.

Her stoic and inscrutable eldest daughter, Mouse, continues to struggle with the grief of losing her father.

Her son Lawrie, always his mother’s favorite, faces life-altering changes that he both longs for and fears—while Tom, Lawrie’s twin, must wrestle with the consequences of a work decision that has blown up his entire life.

Despite the tensions among the siblings as they argue about how best to support their mother, the whole family is soon embroiled in uncovering the truth the ghost of Aunt Edith is striving to expose.

Through an Open Window invites us to see the grace that is so often there in the background, just waiting to be revealed.

And reminds us that not even death can keep love from winning out in the end.

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ABOUT THE AUTHOR:

PHOTO CREDIT:  PAT TERRY

A lifelong Southerner, Pamela Terry learned the power of storytelling at a very early age.

Terry is the author of The Sweet Taste of Muscadines and the internationally popular blog From the House of Edward, which was named one of the top ten home blogs of the year by London’s The Telegraph.

She lives in Georgia with her songwriter husband, Pat, and their three dogs, Apple, Andrew, and George.

She travels to the Scottish Highlands as frequently as possible.

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Connect with Pamela:


Instagram


Website





Book Blogger Hop - 8/22/2025

 

Question of the Week:

Have you ever read a book with a character with the same name as you? (submitted by Snapdragon @ Snapdragon Alcove)

My Answer:

Many - I guess Elizabeth is a good name for a character.  :)

And....I loved seeing my name in print.  LOL!!

Thursday, August 21, 2025

The Marigold Cottages Murder Collective by Jo Nichols


What a quirky group of residents living at Marigold Cottages.

They all felt safe until one resident that Mrs. B met at the bus stop and invited to live in the studio apartment arrived.  Anthony was an ex-con.


All was well until a body was found outside the cottages one day.  It had to be Anthony.


Mrs. B, the landlady, insisted it wasn’t Anthony after he was arrested for the murder.   How could it be him?  She allowed him into their little housing unit.


The tenants get together and try to solve the crime in this cozy read that is a bit confusing but has an engaging storyline mainly because of the characters and all their eccentricities.


You will love how they set up a group text to chat and keep an eye on things. There also are some scenarios that will make you chuckle.


Not my usual read, but entertaining. 4/5


Thank you to the publisher for a copy of this book.  All opinions are my own.



Wednesday, August 20, 2025

Spotlight of Familiaris by David Wroblewski


Photo Source
Typorama
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FAMILIARIS
DAVID WROBLEWSKI
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Information in this post is courtesy of Meg Walker of Tandem Literary:  Publicity & Marketing
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The follow-up to the beloved #1 New York Times bestselling modern classic The Story of Edgar Sawtelle, Familiaris is the stirring origin story of the Sawtelle family and the remarkable dogs that carry the Sawtelle name. 

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August 5
Blackstone
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PRAISE FOR FAMILIARIS:

“An extraordinary journey that brilliantly interweaves history, philosophy, adventure, and mysticism to explore the meaning of love, friendship, and living your life’s true purpose.” —Oprah Winfrey

Already having drawn comparisons to Russo, Irving, Strout, McCarthy, and Gilbert, with García Márquez added here, Wroblewski earns them all, amply rewarding readers who have been waiting impatiently for fifteen years...This colossus of a book will own you, and you will weep to be freed.” —Kirkus Reviews (starred review) 

“If you’ve read The Story of Edgar Sawtelle, you know that no one writes about dogs with more insight than Wroblewski...This great American novel bustles with life, and if it takes all summer to read it, who cares.” —Newsday

“Spellbinding...This warm, big-hearted novel pays tribute to the joys of curiosity and creation and turns out to be surprisingly funny, even as storm clouds gather on the family’s horizon.” —Minneapolis Star-Tribune

“Tender, ambitious, fierce, deeply human, and of course wonderfully canine, David Wroblewski’s second novel is an American tour de force. There were moments when reading that I thought of Russo, Irving, Strout, McCarthy, Gilbert, and then just Wroblewski himself. A story spun out over generations, to be read for generations, this is a big brave book that is old fashioned in the very best sense of the word.” —Colum McCann, National Book Award winner and author of Apeirogon and Let the Great World Spin

“By taking us back to the origins of the Sawtelle family, Wroblewski has set a storytelling bonfire as enthralling in its pages as it is illuminating of our fragile and complicated humanity. Familiaris is as expansive and enlightening a saga as has ever been written.” —Tom Hanks, Academy Award-winning actor, bestselling author of The Making of Another Major Motion Picture Masterpiece and Uncommon Type 

“‘Suppose you could do one impossible thing,’ John Sawtelle says in David Wroblewski’s stunning new novel Familiaris. What would you do? Clearly, what the author would do and has done is write this impossibly wise, impossibly ambitious, impossibly beautiful book.” —Richard Russo, Pulitzer Prize winner, author of the North Bath trilogy (Nobody’s Fool, Everybody’s Fool, and Somebody’s Fool)

“David Wroblewski is one of the few contemporary authors who can create a world that the reader doesn’t merely visit but fully inhabits. And what a world it is, rich with love and joy and heartbreak. And wonder, especially in the way human and canine form inseparable bonds. It has been a long wait for a new Wroblewski novel. The wait is worth it.” —Ron Rash, New York Times bestselling author of Serena, In the Valley, and The Caretaker

“No writer understands the depths of dogs’ natures the way David Wroblewski does, and once again we have a vital, absorbing, and remarkable fiction fueled by this understanding. Familiaris is a rare novel, modest and epic.” —Joan Silber, PEN/Faulkner Award-winning author of Secrets of Happiness and Improvement

“Like many readers, I adored The Story of Edgar Sawtelle, with its gripping tale of treachery and the magnificent Sawtelle dogs. Now I adore Familiaris. David Wroblewski is a wonderfully inventive writer; he knows so much--how to test a tractor, how to make a table, how to borrow money, how to see the future--but best of all he is a writer of extraordinary characters, human and canine, who will take up residence in your mind and heart. A dazzling and irresistible novel.” —Margot Livesey, New York Times bestselling author of The Road from Belhaven and The Flight of Gemma Hardy
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ABOUFAMILIARIS:

IT IS SPRING 1919, and John Sawtelle’s imagination has gotten him into trouble… again.

Now John and his newlywed wife, Mary, along with their two best friends and their three dogs, are setting off for Wisconsin’s northwoods, where they hope to make a fresh start—and, with a little luck, discover what it takes to live a life of meaning, purpose, and adventure.

But the place they are headed for is far stranger and more perilous than they realize, and it will take all their ingenuity, along with a few new friends—human, animal, and otherworldly—to realize their dreams.

By turns hilarious and heartbreaking, mysterious and enchanting, Familiaris takes readers on an unforgettable journey from the halls of a small-town automobile factory, through an epic midwestern firestorm and an ambitious WWII dog-training program, and far back into mankind’s ancient past, examining the dynamics of love and friendship, the vexing nature of families, the universal desire to create something lasting and beautiful, and of course, the species-long partnership between Homo sapiens and Canis familiaris.
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IN CONVERSATION WITH DAVID WROBLEWESKI:

You had an unusual path to becoming an author. You studied computer science in college and had a successful career as a computer science researcher.

At what point were you inspired to try your hand at writing a novel? It’s impossible to pinpoint, a slippery slope. Sometime in the late 1980’s, a decade or so out of college, I started taking creative writing classes. These were, at first, mostly an academic exercise: I wanted to explore and perhaps articulate the common craft practices underlying both programming and writing. But the more I looked into it, the more I realized that if I wanted to answer my questions adequately, I would have to take on a large-scale writing project of some kind. It wasn’t until what seemed like a legitimately viable idea for a novel occurred to me, somewhere around 1995, that I felt ready to give it a try. The result, more than a decade later, was the publication of The Story of Edgar Sawtelle.

How do you feel your work in computer science informed your creative writing?  Did you find many of your skills transferrable? In what ways are computer programming and novel writing alike?

The deep connections between writing and programming would take pages, if not volumes, to explore, but the short answer is: both involve crafting an artifact out of language alone—the use of language as the raw material. Both are exercises in the purest form of design. So while computer and natural languages are wildly different in kind and expressiveness, the practice of working with language itself as a material—designing, drafting, debugging, analyzing, redesigning, revising, and managing language at scale, as a work material— is surprisingly similar. I came to the daily practice of novel writing already knowing how that could and should feel from my work as a research programmer, where the goals are vague and the whole point of writing a program is not to deploy the program as a completed app for commercial use, but to understand if and how well such a program could in principle be written. Is it possible at all? How well does it scale?  When does it tip over from being doable to being impossible in principle?

 When and why did you commit yourself to formal training in writing? Are there particular teachers or mentors who you credit with helping you along the way to becoming a published author? 

My first serious writing teacher was Robert McBrearty, the wonderful short story writer. He suggested I look into an MFA Program, and I ultimately chose the Warren Wilson MFA Program for Writers, where I studied directly under Ehud Havazelet, Joan Silber, Margot Livesey, and Richard Russo, among others.

How and when did the idea for The Story of Edgar Sawtelle come to you? How long did it take from when that idea first arose until you were a published debut novelist?

The basic idea came to me very quickly one day in 1994 or 1995, I don’t have a record of the exact date. When I say quickly, I mean over the course of maybe 90 seconds, during which I saw how an old and familiar story might mapped onto a contemporary setting I knew well: the farm where I grew up. I’m talking about the general outlines, of course, and a few obvious points of alignment. The real work of writing a novel is the slow sentence by sentence, page by page effort of proving that your initial idea is genuinely workable.

When it was published in 2008, The Story of Edgar Sawtelle was a smash success and became somewhat of a literary phenomenon—hitting #1 on the NYT list, being chosen for Oprah’s Book Club in its heyday, winning the Colorado Book Award, translated into dozens of languages, etc. What was this experience like for you? Did you ever suffer imposter syndrome?

It was surprising, no doubt about it, and exciting, but less head-turning than it might have been simply because I was already long-established in another field, had an understanding of the relative contributions of hard work and chance to such things, and also a strong sense of where I had succeeded in what I’d set out to accomplish and where I’d fallen short. That last is essential safety gear for publishing. It protects you from too thoroughly believing either praise or rejection. As for imposter syndrome, of course I felt it. Still do, always will. It comes with job, as far as I can see, so I don’t get too worked up about it. If you’re going to try anything really new, you’re going to feel like an imposter; and in some sense, you are an imposter, though a more accurate word might be “novice,” which is nothing to be ashamed of. Novices have some unique advantages over the old hands in a field, though it might not feel that way at the time.

Was your experience writing Familiaris different from crafting your first novel? Did you feel pressure to churn out a masterpiece after the astounding success of your debut?

Yes, it was different, but how could it have been otherwise? A sample size of one is unlikely to be representative. Both books were hard to write, but for entirely different reasons. TSOES was a first novel, so I had to learn many basic lessons along the way. It was also an exercise in retelling an old story, which presents unique difficulties. Familiaris turned out to be a far more ambitious project than Edgar (and far more ambitious than I expected.) I wanted it to be as different in tone and structure as possible from Edgar.

As for pressure, the only pressure I felt came from within, and that was the desire to do justice to John and Mary’s story as I imagined it. I very purposely wrote the book slowly in order to not put myself in a position to trying to capitalize on Edgar’s success. Surely a terrible business decision, but for me, creatively essential.

Did you always know that you wanted to return to the Sawtelle story? Was the origin story presented in Familiaris in you all along, or did it come to you well after your debut was published?

John, who is Edgar’s grandfather, kept popping up while I was writing Edgar, mainly in the form of family legends that really had no place in Edgar’s story. Virtually all of those passages had to be discarded, but by the time I finished Edgar I felt I knew John very well and wanted to see what would happen if I gave his story a chance to play out on its own terms.

Sixteen years have passed between the publication of The Story of Edgar Sawtelle and Familiaris. Were you concerned about the prequel finding its readership?

Of course. As the scale of the project gradually became clear, I worried about many things, especially the daunting length of time it was going to take to do it right. But I’ve never found a way to rush the writing process that doesn’t backfire, and quickly. It just takes as long as it takes. So I did the best I could to put that worry out of my mind.

Do readers need to have read The Story of Edgar Sawtelle first to enjoy Familiaris? Or can the books stand alone and/or be enjoyed in either order?

They can be read in either order—this is why I never call Familiaris a prequel (besides the fact that “prequel” has to be one of the ugliest portmanteau terms ever coined.) The two novels are interlocking stories. Either can act as the entry point for both, though readers will have quite a different experience depending on which order they choose. Maybe the best alternative to “prequel” was suggested to me by Danny Goldin, owner of Boswell Books in Milwaukee: TSOES and Familiaris are “companion novels”. I like that.

The publishing landscape has changed tremendously in the intervening years. Social media was in its most nascent stage when you debuted, review space has changed, new genres have taken to the fore. Did it feel like an entirely new world publishing in 2024 vs. in 2008?

The publishing industry certainly has changed, but in truth I haven’t paid much attention to publishing as an industry. I’m sure that’s not savvy, but then again I spent sixteen years writing a thousand page novel set in the Midwest with a Latin word for a title. Nobody’s about to mistake me for a savvy operator in the publishing world. Social media holds zero interest for me. I’m too familiar with the early research showing how poor a substitute good old email is for genuine human interaction, much less the exchange of one-liners. And the whole idea of engaging social media to “build a following” feels antithetical to the work of a novelist. That’s not hyperbole. I’m often asked, “Where do all those ideas come from? All that detail?” Part of the answer is, ideas and details come to mind during those idle hours between writing sessions. If I’m worrying about my next social media post, I’m not leaving space for those volunteer ideas and images to arise.

Do you still write computer programs these days? What role do writing and programming play inyour present-day creative life?

I write code all the time. I’ve written all sorts of tools and utilities to help me as a writer, because there are plenty of cases where the current (appalling) state of the art in word processing software falls short. I also take on little projects for no good reason, just for the pleasure of programming. For example, I recently decided to recreate in Python the very first program I ever “wrote” – by which I mean, typed into a terminal out of a BASIC programming tutorial, while only half-understanding what the program did. And what it did was display Robert Frost’s “Stopping By Woods on a Snowy Evening” one line at a time, while crudely simulating falling snow. I was enchanted back then, and still am: my introduction to the wonders of programming was instantly and intrinsically connected to the wonders of literature. 

Familiaris is part love story, part adventure story, and epic in scope, covering 40 years in the life of John Sawtelle. You introduce us to work in an automobile factory, rural midwestern farm life, and dog training. Did you have to do much in the way of research?

The farm itself is drawn from memory. The Sawtelle farm is an exaggeration of the 92 acre farm where I grew up, and I can still today in my mind walk the fence line down to the creek, and up the hayfield back to the road. I can see the barn from house through the kitchen windows, and see the apple trees planted out by the road. But all the rest derives from plain old research, some online, some in libraries and archives (the Wisconsin Historical Society was a tremendous resource, as was the Wisconsin Automotive Museum in Hartford) and the rest boots on the ground exploration. And there is an absolutely unique two-volume history of Mellen, Wisconsin entitled “Journey Into Mellen,” compiled back in the 1980’s by the town’s residents, who extracted the highlights of a century of weekly reporting in the town’s weekly newspaper. I spend I don’t know how many hours paging through it and looking at the photographs. 

How does your upbringing in rural Wisconsin inform your novels? Did you base any of your characters and story on real people and actual events? 

No doubt my Wisconsin upbringing permeates these novels from beginning to end. The model for the run-down farm that John and Mary rehabilitate was the run-down farm my parents bought in 1963. The northlands landscape that the Sawtelles inhabit is very much like – though not entirely identical to—the landscape of central Wisconsin, where I grew up. But all the characters are inventions.

Dogs play a central role in both of your books. How did dogs come to figure so prominently in your life and your writing?

My family has had dogs going back generations. My first memory is of our family dog. And mother’s great dream, when we moved to that central Wisconsin farm, was to raise dogs, something she eventually did for five or six years before my folks had to make the hard decision to stop, because they couldn’t afford it. Raising dogs is expensive and far from a money-making endeavor. My father made just enough to keep us above the poverty line, but not by much. Of course, as a kid I didn’t understand any of that, only that when we stopped raising dogs, an idyllic period of my childhood had been lost.

Familiaris examines John at five distinct points in his life, which you call “great quests.” How did you decide on this structure for the novel?

From the beginning I thought of Familiaris as the biography of a fictional character. I wanted the story to capture the sweep of an entire life, but without the requirement to be comprehensive, as in a true biography. And it seemed to me that our lives truly are a series of quests that resist any easy label. So the shape of the novel emerged from pondering what those quests would be, in John’s case, then letting the reader witness them. Some of these quests turned out to take months, or years to play out, others only a week. But that may be a misleadingly cool, architectural way of talking about this novel. The common thread running through all those “great quests” is a love story—John and Mary’s story, most centrally, but also a story about how love manifests between parents and children, between siblings, and between old friends.

What do you hope readers come away with after reading Familiaris? 

A novel isn’t merely a story. It’s a ride the reader takes, woven through days or weeks of their life. My main hope is that readers will have a entertaining, exciting, engrossing ride, ideally one they’d like to take again. Beyond that, I also hope readers will finish Familiaris with a renewed sense of optimism. John’s goal, as a young man, was to create something lasting and beautiful–the “one impossible thing” he challenges his friends to find and make—and it would be great if readers came away with a renewed sense that they can and should do the same.
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ABOUT THE AUTHOR:


DAVID WROBLEWSKI is the author of the internationally bestselling novel The Story of Edgar Sawtelle, an Oprah Book Club pick, Barnes & Noble Discover Great New Writers selection, and winner of the Colorado Book Award, Indie Choice Best Author Discovery award, and the Midwest Bookseller Association’s Choice award.

The Story of Edgar Sawtelle has been translated into over twenty-five languages.

He lives in Colorado with the writer Kimberly McClintock.
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FIND DAVID ONLINE:

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