TYPORAMA
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‟Robinson…has discovered a story with as much to do with America’s present as America’s past.”—Bethanne Patrick, Washington Post
‟Set pieces, such as the Hamburg riot, are riveting, showing how a novelist can capture reality in a way that rouses a historian’s envy." —Harlan Greene, The Post and Courier (Charleston)
“Robinson bases her formidable novel on the lives of her great-grandparents, exposing the fragile and horrific state of affairs in the American South two decades after the end of the Civil War…. Robinson’s descriptive and imaginative prose sings; this book is a startling reminder of the immoral and lasting brutality visited on the South by the institution of slavery.”—Publishers Weekly
“Robinson uses lynchings, duels, and sexual assaults to shed light on populism and toxic masculinity . . . A stylish and contemplative . . . novel, considerate of facts but not burdened by them.” —Kirkus Reviews(starred review)
“Robinson’s documentary novel intermingles fiction and family memoirs, period editorials, letters, and journal entries in its penetrating rendition of key moments during the lives of her great-grandparents. . . [Dawson’s Fall] proves unyielding and compelling in its timely themes, with many depictions of how white men’s seething resentment erupts into racist violence and how Southern codes of honor and toxic values, particularly slavery, corroded individual lives and the national character” —Booklist
“Roxana Robinson is a great American storyteller and never better than when she braids history and fiction, pulling truth out of mere facts. Dawson’s Fallgrips us with fascinating characters, great and small, caught in the powerful unfolding of events that have shaped our country, and Robinson’s own wise, clear-eyed, and heartfelt narrative.”—Amy Bloom, author of White Houses
“Acclaimed writer Roxana Robinson delves into her own family history as she sets her sights on the Civil War at its very heart, South Carolina, with spectacular results. Like Charles Frazier’s Cold Mountain,her own Dawson’s Fall will be a revelation to many readers in its profound and nuanced depiction of Southerners’ widely varied feelings about the Civil War and its aftermath. The past springs brilliantly to life in this tragic and compelling story, as accurate and fully realized a depiction of daily life and the extraordinary events of this time as has ever been written.”—Lee Smith, author of Dimestore: A Writer’s Life
“Dawson’s Fallis a riveting historical account of one man’s struggle against a wave of violence and injustice during Reconstruction. The research that Roxana Robinson has done to deliver this story is nothing short of masterful and revisiting this terrifying and ugly chapter in the history of the South could not be more timely. Robinson's complex characters, her knowledge and loyalty to truth, and her rich depiction of time and place preserve not only her family story but that of American society and all that threatens humanity.”—Jill McCorkle, author of Life After Life
“Roxana Robinson tells the moving story of her great grand-parents, who lived in Charleston after the Civil War, her great-grandfather an Englishman and editor of the city paper. She draws on letters, journals and newspaper articles about them and adds her own novelistic grace to make them come to life. With a fine eye for detail, she describes the horrors of the post-war period of racism and violence they could not escape.”—Frances FitzGerald, author of The Evangelicals
“In Dawson’s Fall, acclaimed author Roxana Robinson has turned her own family history into a propulsive novel. She unspools the story of Frank Dawson, a Confederate veteran struggling to redefine the South, an Englishman in a land thick with suspicion of outsiders. With complicated characters and a rich sense of time and place, this is an immersive tale about the meaning of America.”—T. J. Stiles, author of Custer’s Trials: A Life on the Frontier of a New America
A cinematic Reconstruction-era drama of violence and fraught moral reckoning
In Dawson’s Fall, a novel based on the lives of Roxana Robinson’s great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson’s tale weaves her family’s journal entries and letters with a novelist’s narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country’s new political, social, and moral landscape.
Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states’ rights. He later became the editor of the CharlestonNews and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn’t control the political whims of his readers. As he wrangled diligently in his columns with questions of citizenship, equality, justice, and slavery, his newspaper rapidly lost readership, and he was plagued by financial worries. Nor could Dawson control the whims of the heart: his Swiss governess became embroiled in a tense affair with a drunkard doctor, which threatened to stain his family’s reputation. In the end, Dawson―a man in many ways representative of the country at this time―was felled by the very violence he vehemently opposed.Roxana Robinson is the author of nine books: five novels, three story collections, and the biography of Georgia O'Keeffe. Four of these wereNew York Times Notable Books.
Robinson was born in Kentucky, but grew up in Bucks County, Pennsylvania. She attended Bennington College and graduated from the University of Michigan. She worked in the art world, specializing in the field of American painting, before she began writing full-time. Her most recent novel, Sparta, won the James Webb Award for Distinguished Fiction from the USMC Heritage Foundation. Her previous novel, Cost, received the Fiction Award from the Maine Publishers and Writers Association. Her work has appeared in The Atlantic, The New Yorker, Harper's, Tin House, Best American Short Stories, and elsewhere. She was a finalist for the NBCC Balakian Award for Criticism and has received fellowships from the National Endowment for the Arts and the Guggenheim Foundation. She teaches at Hunter College, is a former member of the board of PEN, and is currently the President of the Authors Guild.
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