Monday, January 26, 2026

Spotlight of The Typewriter and the Guillotine by Mark Braude


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TYPORAMA
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THE TYPEWRITER AND THE GUILLOTINE
MARK BRAUDE
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ALL INFORMATION IN THIS POST IS COURTESY OF MARIS TASAKA OF GRAND CENTRAL PUBLISHING AND THE PUBLISHER'S WEBSITE.
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  • This is true story of Janet Flanner, a journalist who shaped the voice of The New Yorker as we know it today through her reporting on France leading into WWII.

  • Interspersed through her story is that of Eugen Weidmann, a German con man and serial killer.

  • Their stories intertwine when Flanner reports on Weidmann's upcoming execution.
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January 20, 2026
Nonfiction
Biography & Autobiography

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PRAISE FOR THE TYPEWRITER AND THE GUILLOTINE:


"Part biography, part true crime narrative, this book presents something rare:  a novel story interwar Paris.  Rarely does one not want to turh ty epage...a significant work of nonfiction." - Kirkus Reviews

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ABOUT THE TYPEWRITER AND THE GUILLOTINE:


The “irresistible” (Susan Orlean) untold story of a trailblazing Paris correspondent for The New Yorker, who sounded the alarm about the rise of fascism in Europe while becoming enmeshed in the sensational case of a German serial killer stalking the streets of the French capital on the eve of WWII.

In 1925, the Indianapolis-born Janet Flanner took an assignment to write a regular ‘Letter from Paris’ for a lighthearted humor magazine called The New Yorker. She’d come to Paris to with dreams of writing about “Beauty with a Capital B.” Her employer, self-consciously apolitical, sought only breezy reports on French art and culture. But as she woke to the frightening signs of rising extremism, economic turmoil, and widespread discontent in Europe, Flanner ignored her editor’s directives, reinventing herself, her assignment, and The New Yorker in the process.

While working tirelessly to alert American readers to the dangers of the Third Reich, Flanner became gripped by the disturbing crimes of a man who embodied all of the darkness she was being forced to confront. Eugen Weidmann, a German con-man and murderer, and the last man to be publicly executed in France—mere weeks before the outbreak of WWII. Flanner covered his crimes, capture, and highly politicized trial, seeing the case as a metaphor for understanding the tumultuous years through which she’d just passed and to prepare herself for the dangers to come.

The Typewriter and The Guillotine offers the personal and professional coming-of-age story of an indomitable journalist set against a glamorous, high-stakes backdrop—a tightly-coiled drama full of romance and intrigue. 

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ABOUT THE AUTHOR:


Mark Braude is the author of three books of nonfiction, most recently Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris, New York Times Notable Book of 2022 and a New Yorker Best Book of the Year.

He has been a Postdoctoral Fellow at Stanford University, a Visiting Fellow at the American Library in Paris, and an NEH Public Scholar.

He has written for The New York Times, The Los Angeles Times, and other publications.

His books have been translated into seven languages.

He lives in Vancouver with his wife and their two daughters.
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