Author bio and book background information is at the end of the review.
**********An unsolved mystery resurfaced when a baby's skeleton was found at a building site.
Along with the skeleton, three main characters emerge too. Kate is a reporter investigating the story. Emma is a nervous adult who became intrigued as well as possessed when she sees the story of the baby. Angela is the mother whose baby disappeared more than 40 years ago never to be found.
THE CHILD took a while to get interesting simply because it was a bit slow, and there were too many characters thrown in. I was lost with so many different characters and couldn't seem to figure out the connection until around half way through the book so don’t give up because it is worth the wait.
As the pages turned and I reached the halfway point, the book started making a connection for me and kept my attention. The mystery became intriguing.
The characters seemed genuine for their roles, but something was odd and different about each of them.
This was my first book by Ms. Barton so I imagine I needed to get used to her writing style and her attention to detail.
There are some good twists to the story as well as some disturbing subjects that are addressed.
All in all, THE CHILD is a good read that will keep you guessing. 4/5
This book was given to me free of charge and without compensation by the publisher and NetGalley in return for an honest review.
********THE INFORMATION BELOW HAS BEEN PROVIDED BY THE PUBLISHER.
by Fiona Barton
You can bury the story . . . but you can’t hide the truth
*One of Publishers Weekly and Bustle’s Most Anticipated Books of 2017*
*A TIME “Top 10” Summer Thriller*
*Pre-publication exclusives featured by Entertainment Weekly and theSkimm*
*Praise from Lee Child, Shari Lapena, and Clare Mackintosh *
*Starred Reviews from Publishers Weekly and Library Journal*
*A June 2017 Library Reads Selection*
This summer FIONA BARTON is back with a second novel that proves lightning can strike twice.
Barton’s 2016 debut, The Widow, was an instant global bestseller, captivating readers around the world and setting the publishing industry abuzz.
The highly-anticipated release of THE CHILD (Berkley Hardcover; June 27, 2017) reaffirms Barton’s growing reputation as a writer of rich, character-driven suspense novels. Like Tana French, Louise Penny, and Megan Abbott, Barton’s stories do more than thrill: they explore the complexities of a changing world.
The Widow delved into the secrets that exist within a marriage and the reporter’s role as voyeur. Here Barton continues to mine those themes. THE CHILD tackles the 24/7 news cycle, and lays bare the intricacies of a different but equally fascinating relationship—mother and child.
Says Barton: “The emotions, responsibilities—and the pain—of motherhood are unique to each of us with children. Ask any woman and she will have her own story to tell.”
In a working class neighborhood of London, construction workers make a grisly discovery: the long-buried remains of a baby. When a newspaper mention reveals the find, most readers barely give it a glance. But for two women, its threat to unearth hidden stories is impossible to ignore. For veteran reporter, Kate Waters (introduced in The Widow), it sparks the question “Who would bury a baby?” and starts a hunt for the truth about the nameless child. The story unfolds via the women’s alternating perspectives to eventually reveal: Who is Building Site Baby?
In fact, it was the allure of a hidden story that propelled Barton to her long-time career in news. A journalist and British Press Awards “Reporter of the Year,” she has worked at the Daily Mail and Daily Telegraph, and brings that experience to bear in her novels.
In THE CHILD she details how Kate’s lengthy investigation into Building Site Baby’s death represents a perilous breach of the newsroom’s new culture of 24/7 online news. Says Barton: “The danger for Kate is that she risks becoming one of the dinosaurs—sidelined because she is unable and unwilling to be part of the revolution. And I feel for her.”